First things first, countless times I’ve heard people tell their friends about this artist. They say, “You’ve gotta check out this AILEN Jewell.” Or heard during Treefort, “EILEEN Jewell has a great new album!” She would likely never correct you herself, but just so we’re all on the same page, it’s pronounced “EE-len.” Rhymes with “how ya feelin’?”
Eilen kindly accepted an invitation for an interview and session during our noon hour. You’ll want to catch the show this Sunday Night, Charlie Sutton is the opening act for this show at The Olympic Venue on Main Street. This is the bar just above Mulligan’s.
We had a great visit, and she did a couple of songs for us. This is “Rich Man’s World.”
Boise is spoiled to have artists like Eilen play in town, between spots on the world tour they are planning. She’s playing Portland and Seattle this weekend before returning for the Boise show.
During our chat, Eilen said she really likes Ray LaMontagne for modern music, and Lana Del Rey. She says friends tease her for being late to the party. I asked her if there was a location in her history of touring that pleasantly surprised her. She said it was Sweden, because it is beautiful and spread out like Idaho.
Here’s one of the songs from her latest album, “Gypsy.”
If you need a comfort song, close your eyes and listen to this. I asked for a holiday song we could share next month. We will have enough now that we can do an “Eilen Christmas” Lunch in the Library! This is a beautiful classic song covered by many, including Roy Orbison. It was written by Willie Nelson.
Sometimes I forget that I get to do cool things. If I had to pick some of the coolest things from 2021, this is top 5. I mix all the sessions for 2 of our stations 94.9 The River and 100.3 The X. The X hadn’t had a session in 2 years because of Covid. I was so excited to hear that we were getting a session with the Mongolian Throat singers, “The Hu!”
I want you to know how magical it is to do remixes. With a session like this, I mix it live and then I go home and remix by isolating the tracks and putting certain EQ and effects on each channel and making them stereo, and then sync them to video. Hearing individual channels brings out all of the harmonics and crazy throat singing this band is doing, the full session doesn’t really do it justice. Many sounds are coming from each vocalist, it is very goosebump-worthy. On this next song about one minute in, they make their cellos sound like horses!
The Hu made my year, what a great session. They used a translator for the interview, and were all very kind. The instruments were all pieces of art, the cellos had horses heads on them and it was all unlike anything we’d ever seen. The mouth harp player sometimes played flute with his teeth more than his mouth. I could have listened to them all day.
There’s a yearly film competition for My Rode Reel. I will forever swear by Rode microphones for anything to do with film. Many of their mics have a 10 year warranty. Anyway, they do a yearly 3 minute short film fest. My entry this year is based on my last 2 interviews at work. This time I excluded my questions, which were fairly controversial. This film only shows the answers. It’s called “What Was the Question?” Feel free to vote if you want to. Features the amazing Mary Lambert who was here for Boise Pride, and also Orchestra Gold from Mali, Africa, who played at Treefort Music Fest. At the end of the Orchestra Gold question, I needed time to try not to cry. Both of these interviews were on the weekend with no staff or audience, so I felt a little more safe to ask non-traditional questions. One of my favorite things is to ask musicians about non-musical things.
“Violin Scratches” is in yet another film fest after 2 years on the film circuit. It will be at India’s “We Care” disability film festival. I am so excited to see this film there, as Gaelynn Lea continues to rock the world AND BROADWAY and is currently making music for MacBeth! Nothing from this amazing woman surprises me anymore! I was so lucky to interview her at Treefort and make this film.
BOISE SHORT FILM FEST
Locally, I’m really honored to be a part of Colossal Film Fest in Boise November 7th.
I LOVE this local film fest! They have been so supportive to include me in their local all-star cast of filmmakers. My stuff is usually pretty low-budget, and this movie “Firedance,” was literally recorded mostly inside of my VW van when people were most afraid of Covid. I love poi and fire poi. The biggest thing I got our of this evening was that I had watched a breathtaking fire performance from one of the artists. I asked if I could list her name. What I had just watched was amazing. She said, “probably not, because my parents had expected so much more from me.” Yet, what I’d seen was unbelievable. Please buy tickets to Colossal Cinematic Showcase HERE. It’s really fun and supportive of local short film folk. You can get a red carpet photo, grab some popcorn, then meet at Mad Swede for beers!
The featured filmmakers of the November 7, 2021 Colossal Cinematic Showcase are:
Steven Zunich- “Unter”
Rochelle Smith- “Firedance”
Heather Horner- “Affective”
Elizabeth Findley- “The Task of Reconstruction”
Hutt Wigley- “Max Helm: Curse of the Relic”
Timothy David Orme- “Grip”
Cary Judd- “Give Me”
Tom Sanford- “Going Back”
Brandon Freeman and Christina Lane Hawkins- “El Matamoscas”
Andrew Ellis- “Mentor the Drone”
Nichole Stull and Brian Morgan- “Girl From the South”
The success of my short film “Pink Feather,” has been amazing. It has won several awards, and been accepted in festivals worldwide. Any time I get any amount of extra money, I enter into another festival. This film’s message is one I’d like to see spread far and wide. Festivals can cost between $20 and $60 to enter, and only some of them will choose your film. If you’re reading and would like to help, please venmo @roxxboise. Every penny goes into film festival entry fees!
A recent acceptance includes a festival in Singapore, they are waiting to send official announcement news.
This movie was filmed mostly at “Somewhere” bar in Garden City, formerly The Ranch Club. The owners were gracious to give us early entry, and we were lucky to film before the old signage had come down. This building is rumored to have some huge Idaho history, having been a brothel and gambling house at one point in possibly Homedale. Gambling was legal there, but when it was outlawed, people took this building apart piece by piece and moved it to Garden City, where gambling was legal there a few more years. Some filming happened on Chinden, where just down the road Roger Miller wrote a song about a sign he saw : “Trailers for sale or rent. Rooms to let 50 cents.”
The Ranch Club also makes an appearance in Clint Eastwood’s film, “Bronco Billy.” This corner of Orchard/Chinden is still a mix of old and new traffic, with both new cars and horse trailers driving by. The name is different, but the pony remains.
These historical connections, and the message of acceptance, helped the Idaho Film Commission to sponsor a small grant for my film. The best part is that “Pink Feather” will also be archived into the BSU’s Albertsons Library for future generations to see!
The movie setting is 80’s-meets-now, where some redneck ranchers are in town for a cattle convention and look for a drink when the day is done. They wander into a bar that is LGBTQ+, adventures, disagreements, and finally acceptance all take place. This movie had been a thought in my brain for months. Once I finished the screenplay, I invited friends to help, and recruited friends that are new to me to help with this no-budget passion project. The support has been incredible. I love using real people vs actors. I let people play with their lines, and everyone offered up great ideas on set. Even though many of our actors are drag performers who had very late shows the night before, (Karma Rose, Coco Freeo, Maliha Gemini, Sid D’Licious, Mikey Likesit), everyone arrived early on Sunday mornings to film before the bar opened. My friend Jeff agreed to take an extremely challenging acting part. He has been in 2 of my western movies for 13 Stories, “Revolve” and “House of Helen.” I’d met Theresa Palmgren at a LezBe Kings drag performance shoot at the old prison and asked if she’d help me with this film idea. I have lots of ideas and no professional camera or new computer. She agreed and got some amazing shots. Editor Lynzsea Sky Williams made all the magic happen, hire this genius from Orphan Hilll Studios. Behind the scenes, friends helped with release forms, snacks, lighting, slate, sound, and photos. I am so proud of this cast and crew, my largest short film endeavor to date.
Boise State University will be showing “Pink Feather” for free, this Monday, October 11th. Please join us upstairs in the SUB, in The Berquist room at 6pm. We’ll have snacks, show the film, and then have a panel with myself and 3 of the actors for a Q&A afterwards. This is the film’s 4th showing in Boise. Please come and support local actors and film!
MY RODE REEL
I’ve entered a short film into a yearly competition, “My Rode Reel.” I have entered every year for several years. If you talk to me at all about gear, I will tell you how Rode microphones are my mic of choice for film. Their warranties are unmatched, often coming with an up to 10 year guarantee. I’ve had them happily repair an 8 year old mic without cost. This film competition is open to worldwide entries, films must be under 3 minutes long.
My film is called, “What Was the Question?” With permission from a couple of recent band interviews I did, I made a film of 2 very passionate answers.The film features singer/songwriter Mary Lambert, and the group Orchestra Gold from Mali, Africa.
HERE is the link to watch the film, and please vote if you like it!
In the press room, I head people talking about Lake Street DRIVE, and Michael FranTAY. I loved that they were excited about their music, but the mispronunciations made me grin.
I started Day 1 of Treefort with Storyfort, and a workshop on Activism during Covid. There were some amazing stories of perseverance and privilege.
Most people were masked at the Main Stage Venue.
I saw a few other groups, but was really excited to see Lake Street DIVE. We’ve had them in studio before.
Rachel Price somehow only gets better. They played an amazing set at Treefort Main Stage, including extra songs at the end, and a couple of covers. Sorry for the lens flare, but their version of Bonnie Raitt’s “Nick of Tme” was SO good!
Today, Treefort brings us a book reading from Michelle Zauner of Japanese Breakfast. They will be on the Main Stage tonight.
I caught mantis puppet/neighbor Bitsy dancing under the moonlight. Excuse the drunk people swearing behind me. I tried to stand in the right place, it looks like some sort of animation. LOVE the puppets from Colossal Collective! (NSFW)
It had been well over a year since our last session. We all laughed as we were beginners again at everything. What side of the TV does the USB plug into? Did someone ask Eric for a graphic? Where's Tim's music stand? There were 2 times that I pretty much closed my eyes and pushed a button on the mixer to get where I needed to go. We could go live on Facebook, but with no audio. We were all very rusty, but couldn't ask for a better person to start our year of sessions.
Our winners were so excited to get together and have amazing lunch from Piehole Pizza! They gave us a great vegan pizza and 3 others, I was so excited to see my favorite potato bacon.
As we got ready to go live, Eilen mentioned that it was "great to live life again."
During Covid, Eilen said she did a little writing, but no full songs yet. She is just happy to have a healthy family. Before the session, she mentioned being nervous as daughter Mavis is off to her first summer camp!
Eilen spoke of the loss of a great Idaho songwriter, Pinto Bennett. I used to watch him play when Lock, Stock, and Barrel was on Emerald. Eilen and Jason had produced Pinto's last album, "The Last Saturday Night." When asked about the loss of Pinto, Eilen said, "The world just got a little less interesting."
When the session was done, listeners mingled ate pizza, shared hugs and stuck around. Our friend Carrie noted that people never stuck around as they have to get back to work. Eilen said, "There was a time when I thought this would never happen." We couldn't agree more, and no one knows if we're past this or just between quarantines. We hope you can hear some great outdoor music this summer, including weekend shows with Eilen at Kin.
A couple of months ago we did a thing. Several friends old and new, gathered to help my screenplay come to life!
Most of my films have been documentaries with few people involved. As time goes on, I’m trying to grow my film game. Pink Feather involved new equipment, lights, and nearly 16 people in actors and crew. We are all learning as we go. I was blessed with professional video and editing techs, a friend to do sound so I could direct, even people helping with makeup. A few friends and I spent hours adding the finishing touches of local music.
In the last week, Pink Feather has been shown to over 200 people, at some huge fundraising events. It was great to have most of the cast see their hard work, and especially to see the crowd reactions and see what parts they thought were funny.
It was such an honor to have the support of Idaho Film Commission in sponsoring part of our sound costs. It was, however, a small portion of budget on this important film. I’m really hoping to get this message out into the world by entering several film festivals. Those costs can be $20-$90 per festival, with no guarantee of acceptance.
I’m working on a couple of other possible Boise showings. People have asked how they can help. Covid shutdowns cut about 1/3 of my income, then I had to go and break my shoulder. There are many creative ideas in my head, but I need some things to make them all happen.
If you feel like donating to my film projects, my Venmo information is below. Funds will be used for film festival submissions, education, and small equipment purchases. These are all passion projects, and please know that your donations are incredibly appreciated! Thank you so much to those who have already supported my dreams.
2 big things happened today. First, “Violin Scratches” was accepted into its second film festival in India.
This New Delhi festival is the first that I paid to have pro subtitles added to the film, and the first ever disability festival it has been accepted to. I am SO excited for it to finally have this exposure, as Gaelynn has been so dedicated to her disability survey and upcoming book. It is so exciting to at least imagine this film showing around the world. I wish I could see it in person.
I was out tonight with friends, and got a notice that “my article” was ready. I answered some questions about a month ago and figured nothing had become of it.
AGENDA Fashion and Lifestyle magazine printed my entire interview! Please take time to read it HERE. I am so honored and grateful.
The “Pink Feather” film, which is my baby, is in post-production. I hope to have it out to festivals in a few weeks. After that will be another local western film featuring a female prisoner from the Old Idaho State Penitentiary. “House of Helen” features a brothel owner who was imprisoned for serving a minor.
After that, I am circling back around to documentaries. Hope to have a couple of surprises by the end of the year! Thanks for following along.
This scientist and author has been writing and podcasting about “The Hidden Brain,” for years. Shankar Vedantam’s new book is called, “Useful Delusions.” Learn about the power of both positive and negative thinking, in this intriguing interview that is well worth your time.
I’m going to start backing up a few work blogs on this site. Recently I had the pleasure of speaking with our friend and amazing talent, LP.
If you’re not familiar with LP, look into this brilliant person’s success. LP has written songs for Cher, Rhianna, Backstreet Boys, Celine Dion, Christina Aguilera, and many other’s. If you get to see a live LP concert, you will witness a charisma like you’ve never seen. With global fans, LP sells out shows worldwide. At Bumbershoot, I watched fans throw ukuleles onto the stage.
We have been lucky to have LP in our Blue Moon Listener Lounge in the past. With a voice like a songbird, LP quickly had us all captivated.
It was so nice to catch up again with this Zoom interview. Within this, you’ll hear a brand new track. You will get to meet Orson, the dog, and you’ll hear discussions on gender identity, and the upcoming new album. I love the realness of LP. Sometimes the discussion is flirty, sometimes funny, sometimes serious, always genuine. Note to folks viewing at work, this is UNCENSORED and full of colorful swears. Hope you enjoy it! ~ Rochelle
The Artemis “Women In Action” Film Festival is one of the coolest festivals I’ve been involved in. The organizers and curators are extremely passionate about promoting women creators. This award is tremendous incentive to do more films in this direction. Someday I would love to attend this Santa Monica festival in person. Thank you Gaelynn Lea for this great interview during Treefort Music Fest. Get your passes now for the Artemis Women In Action Film Festival!
Update : I’m so grateful that “Violin Scratches” was chosen as a documentary winner in this festival!
This is the 6th year for this unique and wonderful film festival from Santa Monica, California.This 2021 virtual festival has a focus on female creators, filmmakers and heroes.
For less than $30, you can enjoy over 35 hours of contest. Where else can you support female-driven films for just over $1 an hour?
It’s such an honor that my film “Violin Scratches,” featuring Gaelynn Lea, is featured in this festival. This short has won some awards, is touring the film circuit, and has been shown in Idaho, California, Oregon, Texas, New Jersey, Florida, and India.
Gaelynn is a true hero! She is still working on her upcoming book. Please help show your support her through her Patreon page, and check out her weekly Sunday Sessions on Facebook!
I hope you will consider checking out the Artemis “Women in Action” Film Festival! Learn more, and purchase your passat this website.
BOISE, IDAHO — April 8, 2021 — Treefort Music Fest has announced its return to downtown Boise, Idaho — and it’s coming back with a double whammy.
Treefort Music Fest postponed its ninth annual festival back in March 2020 in light of the COVID-19 pandemic. Today, the festival announced its big comeback with Treefort 9 set for September 22-26, 2021 in multiple venues throughout downtown Boise. Treefort is typically held in March and the festival plans to return to its spring schedule. The five-day emerging arts fest plans to hold the 10th edition of Treefort Music Fest on March 23-27, 2022 — just six months after Treefort 9 in September 2021.
Fans of Treefort Music Fest can expect a few changes at the 2021 festival, though many Treefort favorites will remain. Treefort will announce a resurrected Treefort 9 lineup later this month. The forts of the fest will also return, though many will look and operate a little differently this year than in the past.
Health & Safety Safety is always a top priority for Treefort Music Fest. Treefort is continuing to work closely with local and state health officials to determine health and safety measures for the upcoming festival. The festival is making plans A, B, D, C, and even F for a safe community-run festival in September. Treefort will make announcements in the coming months regarding what to expect at Treefort 9.
Festival Passes In order to abide by possible capacity limitations, a limited number of five-day passes will be available for Treefort 9. General admission, ZIPLINE, and U21 tickets will go on sale with the lineup announcement later this month. Kids age 12 and under are free, accompanied by an adult passholder. At this time, there will be no single-day, single-venue, or single-show tickets available for Treefort 9. Treefort ticket information can be found at treefortmusicfest.com/tickets. Owners-Only Passes More than 900 fans are now part-owners of Treefort Music Fest. Last summer, Treefort launched a crowdfunding campaign via WeFunder to help the fest survive the months of uncertainty ahead. More than 900 fans contributed nearly $350,000, which went directly to making the festival happen this year. Treefort Music Fest is forever grateful for the support and proud to be the first fan-owned and operated music festival. One perk of becoming a Community Owner is early access to festival passes, which are on sale now.
Below is the Treefort Timeline*, in light of COVID-19 things are subject to change:
April 8, 2021: Treefort 9 Community Owner early access on sale (formerly known as Early Bird) April 22, 2021: Treefort 9 band lineup resurrection and GA tickets on-sale (limited number of GA tickets at $250, ZIPLINE at $420 and U21 at $150) Mid-June 2021: Treefort 9 fort lineup resurrection + more band additions Late-June 2021: Additional tickets to Treefort 9 *may* become available, as things shake out July 2021: Treefort 9 schedule released September 22-26, 2021: Treefort 9 (finally!) October 1, 2021: Treefort 10 Community Owner early access on sale (formerly known as Early Bird) October 15, 2021: Treefort 10 GA Discovery tickets on sale November 2021: Treefort 10 first artist announcement, GA tickets on sale December 2021: Treefort 10 second artist announcement January 2022: Treefort 10 final lineup revealed February 2022: Treefort 10 schedule released March 23-27, 2022: Treefort 10 (it’s gonna be a doozy!)
*timeline is subject to change Stay in the loop at treefortmusicfest.com